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A Future for Public Service Television
A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology. Television is on the verge of both decline and rebirth.Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers.This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology.The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters.Public service broadcasters-whether the BBC, the German ARD, or the Canadian Broadcasting Corporation-are particularly vulnerable to this volatility.Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures.This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators.With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age. Contributors includeTess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D.Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson
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Entertainment Public Relations : Communicating with Audiences
Every show needs an audience. How do we find them? How do we reach them? How do we motivate them to buy tickets? This informative book provides an essential look at the public relations strategies, tactics, and tools that have put Hollywood entertainment at the center of global popular culture.It uniquely focuses on the public relations cycle in each segment of the entertainment industry.PR cycles connect strategy to benchmarks in product development, production, and distribution, as well as to seasons and industry events. Chapters focus on the basics and challenges of successful public relations for: blockbuster movies; independent films; network, syndicated, and streaming television; personal publicity and celebrity representation; award events; music; video games; sports; and tourism.Also discussed are charity tie-ins, public service campaigns, and corporate public relations, as well as the use of digital and social media for two-way conversations with audiences. Sidebars give examples and instructions for writing effective entertainment media releases, media alerts, press statements, pitches, PSAs, social media postings, and campaign proposals.Other sidebars analyze the ways industry organizations use events such as the Academy Awards and the Super Bowl to build public awareness and place their industries at the center of popular culture. This book is a valuable resource for those who already know the basic strategies, tactics, and tools of PR and for those who want to learn them in the context of the rapidly changing field of entertainment and tourism marketing.
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Home Screens : Public Housing in Global Film & Television
How do film and television makers around the world depict public housing?Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue?Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen.The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present.Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.
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Arabic European IPTV Subscription Free Testing Account With 5500+ Channels & 10000+ Movies
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Price: 30.0 € | Shipping*: 0.00 €
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Does the new television only receive public broadcasting channels?
No, the new television does not only receive public broadcasting channels. It is likely that the television is capable of receiving both public broadcasting channels as well as cable or satellite channels. This would provide a wider range of programming options for the viewer.
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Is a cable receiver necessary to receive public television channels?
No, a cable receiver is not necessary to receive public television channels. Public television channels are typically broadcast over the airwaves and can be received using an antenna. Viewers can access these channels for free by simply connecting an antenna to their television. Cable receivers are only needed to access cable television channels, which are not the same as public television channels.
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Why can't public broadcasting channels be offered as a subscription service?
Public broadcasting channels are funded by taxpayer dollars and are intended to be freely accessible to the public. Offering them as a subscription service would go against their mission of providing universal access to educational and informative content. Additionally, making public broadcasting channels subscription-based could create barriers to access for low-income individuals who may not be able to afford the subscription fees. It is important for public broadcasting channels to remain free and accessible to all members of the public.
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Is a cable receiver necessary to receive public service television channels?
No, a cable receiver is not necessary to receive public service television channels. Public service television channels are typically available for free over-the-air using an antenna. Viewers can access these channels by simply connecting an antenna to their television set and scanning for available channels. Cable receivers are only necessary for accessing cable television channels that require a subscription.
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Reimagining Public Managers : Delivering Public Value
Public value theory speaks to the co-creation of value between politicians, citizens, and public managers, with a focus on the public manager in terms of her contributions, initiatives, and limitations in value creation.But just who are public managers? Public value regularly treats the "public manager" as synonymous with bureaucrat, government official, civil servant, or public administrator.However, the categories of public managers represent a more versatile and expansive set of agents in society than they are given credit for, and the discourse of public value has typically not delved sufficiently into the variety of possible cadres that might comprise the "public manager."This book seeks to go beyond the assumed understandings of who the public manager is and what she does.It does so by examining the processes of value creation that are driven by non-traditional sets of public managers, which include the judiciary, the armed forces, multilateral institutions, and central banks.It applies public value tools to understand their value creation and uses their unique attributes to inform our understanding of public value theory.Tailored to an audience comprising public administration scholars, students of government, public officials, practitioners, and social scientists interested in contemporary problems of values in society, this book helps to advance public administration thought by re-examining the theory’s ultimate protagonist: the public manager.It therefore constitutes an important effort to take public value theory forward by going "beyond" conceptions of the public manager as she has thus far been understood.
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Public Finance and Public Policy (International Edition)
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Public Policymaking
To explain the fundamentals of public policy, this best-selling text focuses on the process behind the crafting of legislation.By examining the individual steps-from identifying a problem, to agenda setting, to evaluation, revision, or termination of a policy-students are able to see how different factors influence the creation of policy.Each chapter features at least one case study that illustrates how general ideas are applied to specific policy issues.This new Eighth Edition provides thoughtful updates based on the 2012 election and completely revised case studies.
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Public Speaking
From the organization of a speech to knowing your audience, your vocals, and the delivery, this essential guide covers an entire course on public speaking yet is handy enough to reference throughout your speech preparation.With more preparation comes more confidence and with added inspiration throughout this guide you will stand to deliver.
Price: 6.99 £ | Shipping*: 3.99 £
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Is a cable receiver necessary to receive public broadcasting television channels?
No, a cable receiver is not necessary to receive public broadcasting television channels. Public broadcasting channels are typically available for free over-the-air using an antenna. Viewers can access these channels by simply connecting an antenna to their television and scanning for available channels. Cable receivers are only necessary for accessing cable television channels that require a subscription.
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How do you find the program of public broadcasting television channels?
To find the program schedule of public broadcasting television channels, you can typically visit the official website of the specific channel you are interested in. Most public broadcasting channels have a section on their website dedicated to program schedules, where you can see what shows are airing at specific times. Additionally, you can also check TV listings in newspapers or use TV guide apps to find the program schedule of public broadcasting channels.
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Should public television channels like ZDF, ARD, and others become more diverse?
Yes, public television channels like ZDF, ARD, and others should become more diverse. Diversity in programming is important to reflect the variety of perspectives and experiences within society. By featuring a wider range of voices and stories, these channels can better serve their audiences and contribute to a more inclusive media landscape. Additionally, increasing diversity can help to address issues of representation and provide opportunities for underrepresented groups to have their voices heard.
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Why are there no good movies or series on public broadcasting channels?
Public broadcasting channels often have limited budgets compared to commercial networks, which can impact the production quality of their content. Additionally, public broadcasting channels may have stricter guidelines or regulations that limit the type of content they can produce. This can result in a lack of variety or edgier content that may be more appealing to audiences. Lastly, public broadcasting channels may prioritize educational or informative programming over entertainment, leading to a different focus in the types of movies or series they choose to air.
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